Too bad it took three decades to thread them through, but the wait proves more than worth it. With a greater concentration on the road warrior women, Miller's third Max film shares some defining DNA with Fury Road. Going nearly as big as her singing in Private Dancer, Tina Turner puts the Queen B in B-Movie and truly makes for a memorable villain. It's only two years before Lethal Weapon will Max out his penchant for Mad rogues even more and the actor manages to show great depth and slightly less edge in this meatier exploration of the title character. The album was originally released in 1985 on the Capitol Records label and reissued numerous times on different labels. Gibson makes the most out of this, his final go-round as the Road Warrior. Mad Max Beyond Thunderdome: Original Motion Picture Soundtrack is the soundtrack album to the movie of the same name, starring Mel Gibson and Tina Turner. In this PG-13-rated sci-fi adventure, a drifter (Gibson) exiled from the most advanced town in post-apocalyptic Australia travels with a group of abandoned children to rebel against the town's queen (Turner). Less biting and ballsy, this audience-friendly warrior road-trip troublingly makes the franchise more accessible to younger filmgoers, but winningly sports the same Mad-dening big-budget stunt spectaculars as its predecessor. In downgrading to a PG-13, this second sequel softens the character's defining hard-bitten edges but conversely deepens his complexity. Better than film history remembers, this Thunder-striking trip Beyond trades spit for polish without sacrificing the action as Mad Max takes a road toward the mainstream.
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